Elena Meets the Author

It’s Christmas Eve in Mamaroneck, New York. Ninety-six-year-old Graziella has prepared the Feast of the Seven Fishes, as she does every year, for her daughter Grace and her granddaughter Ella. But Ella, a twenty-something idealist vegan, refuses to eat a bite. So the outspoken four foot two nonna serves her granddaughter a can of cat food instead. Ella throws the tin at a life-size plaster baby Jesus and storms out, promising she won’t be back until there’s a funeral.
That’s the first scene.
Elizabeth Wellington Rollins’s debut novel is about three generations of Italian American women, all named for the Roman myth of the Three Graces, forced to live together under one roof. They’re in each other’s business, they take care of each other, they fight, and they say almost everything through food. Reading it, I felt like I was there.
In this episode of Elena Meets the Author, Elizabeth talks about the Three Graces myth as a cycle of giving, accepting and giving back, and how that idea of reciprocity shaped the whole book. We get into the generosity Elizabeth grew up around, the real neighbourhood behind Pearl Street, and why food carries so much of what these women can’t say out loud.
We also talk craft. Elizabeth describes her draft zero process, writing through a genuinely hard period in her own life, and what changed when she started writing about what she knew and where she wanted to be, which was her nonna’s kitchen. If you’re writing something of your own, that part is worth the listen on its own.
The Three Graces of Pearl Street is blurbed by authors Adriana Trigiani and Annabel Monaghan, who has been a guest on this show.
Books mentioned in this episode
The Three Graces of Pearl Street by Elizabeth Wellington RollinsUS
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Eileen O’Malley’s brother Lenny is killed in Vietnam while she’s a sophomore in college. Overnight her life changes. She drops out, moves home to Charleston, and takes a job in the men’s department of a local shop to help pay the bills. Then a handsome naval officer asks her advice about a pair of trousers.
Next thing she knows, she’s a young bride on La Maddalena, a small Mediterranean island off the coast of Sardinia where the US Navy keeps its submarines. When Italian activists, nuclear scientists and a handsome journalist start warning her about contamination in the water, Eileen has to question everything she thought she knew.
Rachel Beanland’s third novel is a coming of age story about a young woman working out who she is inside a marriage, a military community, and a country, all three of which expect her to toe the line.
In this episode of Elena Meets the Author, Rachel talks about the childhood years she spent on La Maddalena, the 2019 return visit that sparked the book, and her mother’s detailed letters home that gave her the 1970s period detail. We talk about the island as a locked room, Eileen’s retrospective second person narration, the dual meaning of the title, and the research she did with Navy veterans and their wives.
Rachel Beanland is also the author of Florence Adler Swims Forever, which won the National Jewish Book Award for Debut Fiction, and The House Is on Fire.
More episodes and writing at elenameetstheauthor.com.
Books mentioned in this episode
The Half Life by Rachel BeanlandUS
Links support independent bookshops. As a Bookshop.org affiliate, the show earns a small commission on any sale.
00:00 Welcome to the Podcast
01:04 Meet Rachel Beanland
02:59 La Maddalena Origins
06:48 Why the 1970s
10:33 Navy Wives Community
13:48 Isolation and Research
17:02 Soap Opera Letter Clubs
22:20 Second Person Narration
26:33 Outlining and True Events
28:20 Bending The Timeline
30:08 Why Historical Fiction
35:07 Balancing Facts And Drama
38:59 Meaning Of The Half Life
40:56 Mary Magdalene Parallels
43:21 Travel Tips La Maddalena
45:07 Wrap Up And Final Pitch


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Priya Parmar’s The Original covers eighteen years of Katharine Hepburn’s life, from the age of 13, the year her brother Tom died, to the age of 32. Not the icon in the polo neck, but the young woman before all that. The failures, the self-invention, the loss she never really recovered from. It’s been praised by The New York Times, The Independent, BBC Radio, People and Oprah.
In this episode of Elena Meets the Author, Priya explains why she chose a period defined by self-discovery and failure rather than the years everyone already knows. We talk about Hepburn’s unusually progressive family in Hartford and Fenwick, Connecticut, how the Hollywood studios manufactured star personas before the Production Code came in, and the decade of research behind the novel. Priya also talks about the omniscient Greek chorus structure she built the book around.
Priya Parmar is also the author of Vanessa and Her Sister, a New York Times Notable Book about Virginia Woolf and her sister Vanessa Bell, and Exit the Actress. She co-wrote the musical Sylvia, staged at the Old Vic and nominated for an Olivier Award.
Books mentioned in this episode
The Original by Priya ParmarUK | US
Vanessa and Her Sister by Priya ParmarUS
Exit the Actress by Priya ParmarUS
Links support independent bookshops. As a Bookshop.org affiliate, the show earns a small commission on any sale.
00:20 Podcast Intro and Guest
01:37 Why These Years
03:07 Hepburn Family Roots
04:47 Epigraph and Persona
06:54 Hollywood Image Machine
09:12 Cary Grant Parallels
10:37 Defining Hepburn Boldness
13:34 Opening Pages Reading
15:46 Ten Years Research
19:22 Hidden Discoveries and Letters
23:09 Finding the Narrative Voice
26:41 Los Angeles as Character
27:35 Hepburn Home Base
28:18 Los Angeles Greek Chorus
28:53 Box Office Poison Escape
29:17 Dick Cavett Tape Gold
30:20 Crafting the Hepburn Persona
33:48 Favorite Films Shift
35:24 Wardrobe and Chanel Clash
38:38 Howard Hughes and Deafness
40:13 Cut Scenes and Europe
43:26 Next Book and Homesick
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Alan Anderson is a visionary ad man. That is, up until the morning he isn’t.
He blows the biggest account of his career, comes apart, and moves out to live off the land, the land being his backyard in suburban Greenwich, Connecticut. He sets up in the children’s playhouse. He goes barefoot. He uses the woods as a bathroom.
His timing couldn’t be worse. His wife Vivian is in the middle of a campaign to join the Queen Anne’s, Greenwich’s most selective women’s social group. Their two daughters are similarly going off the rails. One prefers drama to sports, which is not done in Greenwich. The other has started talking to animals. And Alan is emerging unshowered from the playhouse just as Vivian’s trying to make the best possible impression.
Alan Opts Out is a comedy about what it costs to keep up, and what’s left of a man and a family when they stop trying. It’s a New York Times best book of the summer, blurbed by Elizabeth Gilbert and Carl Hiaasen, and currently in development as an HBO series.
In this episode of Elena Meets the Author, Courtney talks about the luxury playhouse that sparked the whole idea, her frustration with overconsumption and the Stanley cup trend, and what it was like growing up around extreme wealth in Greenwich. We get into her past life as a brand strategist, how she developed compassion for Vivian over eleven drafts, and the unexpected joy of Alan’s lobster sidekick Lenny. She also talks about the Werner Herzog epigraph, taken from his 1982 film Fitzcarraldo, and what she wanted it to signal about the book’s tone. And she mentions Into the Wild by Jon Krakauer as a book she returned to just before publication, and why Christopher McCandless was on her mind throughout the writing.
Courtney’s previous novel Touch also comes up in conversation. She describes it as the book she would have written next, except it’s already written, and thinks it will resonate just as much now as Alan Opts Out. She’s also the author of the publishing guidebook Before and After the Book Deal and runs writing classes and resources at courtneymaum.com.
Behind the Stories on Substack is where the conversation goes deeper. Subscribers get writing insights from each episode, early access to upcoming guests, and the chance to help shape the show. Find it at elenabowes.substack.com.


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Twenty-two rib eye steaks go missing from Aunt Orsa’s, an upscale Italian restaurant in a fictional Midwestern college town. They vanish on the same day that celebrity author John Grisham is due to dine there. Someone on the staff took them. But who?
That’s the whodunit. What Rebecca Kauffman’s sixth novel actually is, is something deeper and more complex than that. A who are they? The table of contents is renamed Menu, and each chapter, each course, dips into the life of one of the suspects. No one at Aunt Orsa’s is above suspicion. And as it turns out, no one’s life is boring.
Kauffman has a real talent for believable dialogue and for telling us just enough about a person that we feel like we know them and want to know more. Publishers Weekly gave it a starred review, Emma Straub named it one of the standout books of 2026, and it’s been described as a pitch-perfect mash-up of Clue and The Bear.
In this episode of Elena Meets the Author, Rebecca talks about drawing on years of working in restaurants, how John Grisham ended up in the book, the menu-style chapter structure, and her approach to revision by subtraction. We also talk about leaving some mysteries unresolved, how motherhood changed her writing, and why noticing is at the core of everything she does.
Behind the Stories on Substack is where the conversation goes deeper. Subscribers get writing insights from each episode, early access to upcoming guests, and the chance to help shape the show. Find it at elenabowes.substack.com.
https://pods.to/4zv3l7o.ODL



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