HISTORY This Week

March 18, 1879. A crowd gathers around an indoor track in Brooklyn, NY, as an Irish immigrant named Bartholomew O’Donnell attempts a strange feat: walking 80 miles in 26 hours. Newspapers claim he’s eighty years old. Lap after lap, he circles the track: smoking a pipe, sipping hot tea, and pushing through the night.

O’Donnell came to New York thirty years earlier, fleeing the Great Potato Famine. Like many Irish immigrants, he spent decades doing manual labor and trying to get ahead in a city that often viewed newcomers with suspicion.

For generations, stories like his shaped how historians understood famine-era Irish immigrants.

In this special live episode recorded at the Tenement Museum ahead of St. Patrick’s Day, Sally speaks with historian Tyler Anbinder, author of Plentiful Country: The Great Potato Famine and the Making of Irish New York, about what new research reveals about the lives of Irish immigrants in America, and what their story can tell us about immigration today.

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Why did Orson Welles take on a murder mystery? Listen for yourself.

This week, we're sharing a special preview of Orson Welles and the Blind Soldier from the podcast Radio Diaries. In this series, we learn how Welles used his platform to shed light on a crime in a small, southern town. A crime that became a spark for the budding Civil Rights movement.

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March 10, 1949. Defendant Mildred Gillars arrives at a courthouse to hear her verdict. To trial-watchers, she’s known as Axis Sally—the American woman who broadcast Nazi propaganda from Berlin during World War II. In taunting tones, she spent years pushing anti-Semitic and anti-Allies messages aimed at weakening the morale of American soldiers. But Gillars insists that she’s misunderstood, even innocent. That she’s an artist, she loves her country, and was forced to do what she did… or die. How did a struggling actress from Maine become a potent weapon of the Nazis? And is there a way to understand the choices that she made?

Special thanks to our guests, Richard Lucas, author of Axis Sally: The American Voice of Nazi Germany, and Michael Flamm, professor of history at Ohio Wesleyan University. Thanks also to the Veterans History Project at the Library of Congress.

** This episode originally aired March 6, 2023.

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March 5, 1953. The Premier of the Soviet Union, Joseph Stalin, is on his deathbed, and he’s turning blue. At the end of his life, Stalin is surrounded by his closest advisors, but these comrades aren’t hoping for his quick recovery. For days, they’ve been sneaking away from their vigil, plotting. The moment Stalin’s heart stops, they leap into action. What happens when a tyrant falls? And what role did the inner circle play in bringing an end to Stalin? 

Special thanks to our guest, Sheila Fitzpatrick, historian and author of The Death of Stalin.

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March 1, 1951. Two Texas horse trainers sit down to lunch with Walt Disney. They assume he wants to use their animals in a movie. Instead, Walt leans in and tells them about something that doesn’t exist yet. Not a carnival. Not an amusement park. Something movie-like in the real world. And if he’s going to build it, he’ll need horses.

At that moment, Disneyland is just an idea in Walt’s head. But within a few years, he’ll clear 160 acres of orange groves in Anaheim and attempt to build that dream in barely twelve months. The budget will balloon. The rivers will drain into the soil. The rides will be welded together overnight. And Walt will stake his company — and his personal fortune — on opening the gates on time.

Why was Disneyland such a gamble? And how did Walt essentially invent a whole new form of live entertainment?  

Special thanks to our guests: Leslie Iwerks,  director of Disneyland Handcrafted; Mark Catalina, producer of Disneyland Handcrafted;  Becky Cline, director of the Walt Disney Archives; and Tom Fitzgerald, chief storytelling executive and senior creative executive  at Walt Disney Imagineering.

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