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Episode 99 - Jaws 50th Anniversary
Fifty years ago, a film was released that literally changed the world. Jaws transformed the way people think about going into the water and revolutionized how studios make movies, effectively creating what we now call the "summer blockbuster." Its influence is still felt five decades later, by both fans and filmmakers alike. And there’s a reason for that: Jaws is just that good. In this episode, we take a deep dive into the film and explore the impact it’s had on us (especially a couple of us who were profoundly shaped by it) as well as on the movie industry at large. People often talk about the idea of a “perfect movie,” one that couldn’t be improved. And while Jaws faced plenty of production problems (like the famously uncooperative mechanical shark), the creative solutions to those problems ended up making the film even stronger. Films mentioned in this episode: 10 (1979), 47 Meters Down (2017), Barracuda (1978), The Beast (1996), Creature (1998), Cruel Jaws (1995), Dawn of the Dead (1978), Dawn of the Dead (2004), The Deep (1977), Deep Blood (1989), Deep Blue Sea (1999), Devilfish (1984), Duel (1971), The Exorcist (1973), Feast (2005), Frankenstein (1931), Friday the 13th (1980), The Giant Claw (1957), Grizzly (1976), Humanoids from the Deep (1980), The Island (1980), Jaws (1975), Jaws 2 (1978), Jaws 3-D (1983), Jaws: The Revenge (1987), The Last Shark aka Great White (1981), Mako: Jaws of Death (1976), The Meg (2018), Open Waters (2003), Orca (1977), Piranha (1978), The Shallows (2016), Sharknado (2013), Star Wars (1977), Tentacles (1977), Tintorera: Killer Shark (1977)
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Episode 98 - Twice Told Tales: The Blob
The Blob (1958) & The Blob (1988) Continuing our theme of taking a deep dive into an original film and its remake, this time we're looking at a pair with exactly 30 years between them: The Blob, from 1958, and its 1988 remake. A lot had changed in those three decades, especially on the technical side, with advancements in special makeup effects definitely upping the ante on what we see on screen. But the remake also retains much of the same small-town feel and trappings of the original. With these two entries, it’s interesting to see the similarities just as much as how the remake plays out as its own creature; sometimes winking at the original, but ultimately leaving its own gelatinous footprint. For those out there that love to hate on remakes, here's yet another pair that break the mold and had given us two entertaining entries. Sit back and enjoy! Films mentioned in this episode: 4-D Man (1959), Beware! The Blob (1972), The Beyond (1981), The Blob (1958), The Blob (1988), The Brood (1979), Dark Star (1974), Daughter of Horror (1955), Day the Earth Stood Still (1951), Dinosaurus! (1960), Equinox (1970), Eraserhead (1977), Eyes of Laura Mars (1978), The Fly (1986), Forbidden Planet (1956), Fright Night 2 (1988), Funeral Home (1980), Giant Gilla Monster (1959), Ghost of Dragstrip Hollow (1959), The Horror at Party Beach (1964), I Was a Teenage Frankenstein (1957), I Was a Teenage Werewolf (1957), Jaws (1975), Little Shop of Horrors (1986), Master of Horror (1965), Nightbreed (1990), Nightmare on Elm Street 3: Dream Warriors (1987), Return of the Living Dead (1985), Robocop (1987), Rock Rock Rock! (1956), Scanners (1981), Schlock (1973), Scream (1996), Them (1955), The Thing (1982), Videodrome (1983)
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Episode 97 - Chas. Balun
There have been many horror writers that have been important to the genre, but few have had the outsized impact of the one and only Chas. Balun. Whether it was his work in Fangoria, Gorezone, or his own magazine Deep Red, even if you didn’t see his name at the head of the article, you knew it was him within a few sentences, by either by the tone of the writing, or maybe the films he was covering. Chas’ style was humorous and more than a little confrontational, but he was always waving the flag in support of movies that he felt were important and hadn’t received enough attention. Sure, they tended to be on the gory side, but for Chas. it wasn't just about the gore. Not entirely, anyway. While the three of us knew his work and the impact it had on us personally, for this very special episode, we felt we needed to talk with other folks who were just as impacted by him, and also knew him personally. In the second half of the show, you'll hear from John Szpunar, author of Xeroxferox: The Wild World of the Horror Film Fanzine and Blood Sucking Freak: The Life and Films of the Incredible Joel M. Reed; Art Ettinger, editor at Ultra Violent magazine; and finally Shawn Lewis, creator of Rotten Cotten and Eibon Press. They all share their own stories of Chas, and we all discuss the profound the impact Chas. had on us and on the horror genre in general. Don’t miss this one! Films mentioned in this episode: Abomination (1988), Bad Taste (1987), The Beyond (1981), Beyond the Darkness (1979), Blood Sucking Freaks (1976), Blue Velvet (1986), Braindead (1992), Bug (1975), Cannibal Holocaust (1980), City of the Walking Dead (1980), Dellamorte Dellamore (1994), The Exorcist (1973), Friday the 13th (1980), Guinea Pig 2: The Flower of Flesh and Blood (1985), Hell of the Living Dead (1980), Last House on Dead End Street (1973), Last House on the Left (1972), Mad Ron’s Prevues from Hell (1987), The Nest (1987), Night of the Demon (1980), The Omen (1976), Pieces (1982), Splatterfest Exhumed (2024), Texas Chain Saw Massacre (1974), Tombs of the Blind Dead (1972), Zoltan: Hound of Dracula (1977), Zombie (1979)
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Episode 96 - Made-for-TV Horror Part 4
A Taste of Evil (1971), Snowbeast (1977), This House Possessed (1981) We’re back on the small screen for our fourth dive into the world of made-for-TV horror—which should tell you something: we love these things. Maybe it’s nostalgia from growing up in an era when you couldn’t stream whatever you wanted, whenever you wanted. Or maybe it's because some of these films were just plain good—tight, creepy little stories that managed to leave a mark. This time around, we're not talking about the crown jewels of the genre, but rather three solid, middle-of-the-pack entries: well-made, weirdly memorable, and wildly watchable. You’ve got disturbed minds, ski lodge mayhem, and a haunted house that’s a little too into you. If the stories don’t grab you, the casts just might. Films mentioned in this episode: 1941 (1979), Abominable (2006), Alien (1979), Amityville Horror (1979), Asylum (1972), Beetlejuice (1988), Beyond the Door (1974), Blazing Saddles (1974), Butcher Baker, Nightmare Maker (1981), City of the Dead (1960), City Slickers (1991), The Curse of Frankenstein (1957), Don’t be Afraid of the Dark (1973), Dark Night of the Scarecrow (1981), Devil Dog: Hound of Hell (1978), The Devil’s Daughter (1973), Double Indemnity (1944), Drag Me to Hell (2009), Duel (1971), Frankenstein: The True Story (1973), Halloween (1978), House by the Cemetery (1981), House that Wouldn’t Die (1970), Horror of Dracula (1958), I, Desire (1982), The Dirty Dozen (1967), Jaws (1975), A Nightmare on Elm Street (1984), Night of the Creeps (1986), The Night Stalker (1972), The Night Walker (1964), Pat Garrett & Billy the Kid (1973), Planes, Trains, and Automobiles (1987), Psycho (1960), Re-Animator (1985), Salem’s Lot (1979), Satan’s School for Girls (1973), Scream of Fear (1961), Shriek of the Mutilated (1974), Snowbeast (1977), Strange and Deadly Occurrence (1974), Suspiria (1977), A Taste of Evil (1971), Three Stooges Meet Hercules (1962), This House of Possessed (1981), The Tingler (1959), Trilogy of Terror (1975), Videodrome (1983)
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Episode 95 - Mario Bava
Black Sunday (1960), Blood and Black Lace (1964), and A Bay of Blood (1971) There are films by certain directors that are truly iconic—classics of the genre we sometimes assume everyone has already seen. But it’s easy to forget that, right now, there are fans just beginning their journey into horror. Whether due to age or a newfound curiosity, they’re taking their first steps into the genre. For those unfamiliar with him, we’d like to introduce one of horror’s true maestros: Mario Bava. And for those already acquainted with his work, maybe it’s time for a revisit—to once again be stunned by what he brings to the screen. If it’s been a few years, you may find yourself seeing things in a whole new way. That’s one of the beautiful things about cinema. The three films we’ve chosen highlight important parts of Bava’s career and show how his work helped shape entire subgenres—from gothic horror to giallo to the slasher film. Whether you’re discovering him for the first time or coming back for a fresh look, these films are a perfect place to begin. One quick correction: Edgar Wallace was a British writer, not American. Films mentioned in this episode: Baron Blood (1972), A Bay of Blood (1971), Black Sabbath (1963), Black Sunday (1960), Blood and Black Lace (1964), Caltiki the Immortal Monster (1959), The Church (1989), Creature with the Blue Hand (1967), Curse of the Crying Woman (1963), Curse of Frankenstein (1957), Danger: Diabolik (1968), The Day the Sky Exploded (1958), Death Walks at Midnight (1972), Death Walks in High Heels (1971), Deep Red (1975), The Demon (1982), Demons (1985), Django Kill…If You Live, Shoot! (1967), Dr. Goldfoot and the Girl Bombs (1966), Dr. Jekyll and Mr. Hyde (1932), Erik the Conqueror (1961), Eyeball (1975), The Four of the Apocalypse (1975), Frankenstein ’80 (1972), Frankenstein Island (1981), Friday the 13th (1980), Friday the 13th (1981), The Giant of Marathon (1959), The Girl Who Knew Too Much (1963), The Great Silence (1968), Hatchet for a Honeymoon (1970), Hercules in the Haunted World (1961), Horror of Dracula (1958), Inferno (1980), I Vampiri (1957), Knives of the Avenger (1966), Long Hair of Death (1964), Night Child (1975), Once Upon a Time in the West (1968), Planet of the Vampires (1965), Psycho (1960), She (1965), Shock (1977), Suspiria (1977), Thunderball (1965), The Toolbox Murders (1978), Torso (1973), The Whip and the Body (1963), Your Vice is a Locked Room and Only I Have the Key (1972)
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1:47:50
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1:47:50