The Political Scene | The New Yorker

When Rachel Goldberg-Polin’s son, Hersh, was taken hostage by Hamas on October 7, 2023, she became a prominent spokesperson for the families of Israeli hostages. Throughout Hersh’s captivity, and then after his murder, Goldberg-Polin, who was born in Chicago and emigrated to Israel in 2008, argued that Israel’s priority should be to bring the hostages home, and that the killing of all innocents, Israeli and Palestinian, must stop. She advocated with Israeli politicians, Pope Francis, and other leaders, and she addressed the Democratic National Convention in 2024. She recently spoke with David Remnick about her new book, “When We See You Again,” and how she has continued her work as a public figure despite unending grief. “People are desperate for us to be angry . . . to feel things that I think that they assume they would feel if they were in the position that we are in. But the truth is, I’m open to feeling anything,” she reflects. “I put Hersh in the ground on September 2, 2024. After that, I’m in a completely different universe.” 
Further reading: 
“Gaza’s Broken Politics,” by Mohammed R. Mhawish
“The End of Israel’s Hostage Ordeal,” by Ruth Margalit
“Why Hamas Agreed to Release the Hostages,” by Isaac Chotiner
“Hope and Grief in Israel After the Gaza Ceasefire Deal,” by Ruth Margalit

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 
Tune in to The Political Scene wherever you get your podcasts.

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The Washington Roundtable discusses Donald Trump’s eightieth birthday, on Sunday, with a look at the pageantry and spectacle surrounding the planned U.F.C. fight on the South Lawn of the White House. The panel contrasts Trump’s desire to project power and masculinity with his recent pattern of disinhibition: from allegedly falling asleep at important meetings and the N.B.A. Finals to angry outbursts at reporters, including such politically damaging statements as “I love the inflation.” Is the President fading, physically and politically? “It’s not about the age; it’s about the behavior,” the staff writer Evan Osnos says. “It’s about the clear fact that his conduct, his cognitive function, his behavior is declining.”
This week’s reading:

“What Jill Biden Doesn’t Say in Her White House Memoir,” by Amy Davidson Sorkin

“Can the World Cup Transcend Donald Trump?,” by Ishaan Tharoor

“The Supreme Court’s Latest Blow to Black Voters’ Rights,” by Ruth Marcus

“Is Elon Musk’s SpaceX Really Worth $1.75 Trillion?,” by John Cassidy

“Has Nancy Mace’s Crusade Against Sexual Violence Ruined Her Career?,” by Moira Donegan

“For the Nation’s Birthday, Making It Harder to Become an American,” by Jonathan Blitzer

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 
Tune in to The Political Scene wherever you get your podcasts.

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The New Yorker investigative reporter Heidi Blake joins Tyler Foggatt to discuss her reporting on Andrew Tate, the British American influencer and figurehead of the manosphere. They talk about Tate’s rise to prominence, the media empire he built by glorifying ideas about male dominance and female subjugation, and the allegations of rape, assault, coercion, and sex trafficking that have followed him and his brother, Tristan, across multiple countries. Drawing on leaked documents and messages, interviews with both Tates, and testimony from women who say they were victimized by the brothers, Blake explains how Tate’s online persona reflects a much longer history of alleged abuse and exploitation. Blake and Foggatt also explore Tate’s growing ties to people in Donald Trump’s orbit, and whether his support for Trump and the MAGA movement helped shape the political response to the investigations against him.
This week’s reading:

“Andrew Tate’s Empire of Abuse,” by Heidi Blake

“Has Nancy Mace’s Crusade Against Sexual Violence Ruined Her Career?,” by Moira Donegan

“The Supreme Court’s Latest Blow to Black Voters’ Rights,” by Ruth Marcus

“For the Nation’s Birthday, Making It Harder to Become an American,” by Jonathan Blitzer

“Could Switzerland Become the First Country to Cap Its Population?,” by Jessi Jezewska Stevens

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 
Tune in to The Political Scene wherever you get your podcasts.

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Jack Schlossberg, the grandson of John F. Kennedy, was one of a number of Kennedy family members who spoke out against the policies and the character of Robert F. Kennedy, Jr. Schlossberg became a public figure on social media, often trolling the right, doing his imitation of Vladimir Putin, or claiming that Usha Vance was carrying his baby. But, when Schlossberg decided to run for an open seat in Congress, critics pointed to his lack of experience in governing, or even holding a job. In some ways, Schlossberg seems a test case for how social-media influence may translate into electoral politics. “I understand that content creation is a new profession, and that it’s not synonymous for many people with a quote-unquote real job,” Schlossberg tells David Remnick. “I think that my experience is exactly what the Democratic Party needs right now from candidates.” 
Further reading: 

“How a Congressional Primary Became a Proxy Battle Over A.I.,” by Gideon Lewis-Kraus

“ ‘Love Story’ Is a Forgettable Elegy for Gen X,” by Doreen St. Félix

“A Battle with My Blood,” by Tatiana Schlossberg

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 
Tune in to The Political Scene wherever you get your podcasts.

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The Washington Roundtable discusses the 2026 midterm elections and the prospects of a comeback for the Democratic Party with The New Yorker’s editor, David Remnick. Recorded during a live show at the 92nd Street Y, in Manhattan, the group explores the President’s abysmal approval ratings, key Senate races in Maine and Texas, fights over redistricting, and how public anger over corruption and wealth inequality could shape the battle for control of Congress. “It’s a stress test that we’re looking at,” the staff writer Jane Mayer says. “That’s what this midterm is: Can this democracy survive it? And, if it doesn’t, then what?” They also examine recent upheavals at CBS News and “60 Minutes,” and consider what those changes might mean for the future of investigative journalism. 
This week’s reading:

“The Changing Face of ‘Authenticity’ in Politics,” by Jon Allsop

“The Absurd Virtual Spectacle of Trump’s D.C.,” by Kyle Chayka

“This Is What Trumpian Self-Dealing Looks Like,” by John Cassidy

“The Strange Emptiness of the Crowded Governor’s Race in California,” by Nathan Heller

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 
Tune in to The Political Scene wherever you get your podcasts.

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