Reveal

More To The Story: When Bryan Stevenson moved to Montgomery, Alabama, in the 1980s, the city—one of America’s most prominent slave trading spaces before the Civil War—had dozens of Confederate monuments and memorials, but nothing commemorating slavery. Today, thanks to Stevenson’s efforts, the city looks much different. Over the last decade, the executive director of the Equal Justice Initiative has transformed parts of Montgomery through markers acknowledging the legacy of slavery while also building the Legacy Sites, a series of museums and memorials that commemorate America’s dark history of lynching, slaveholding, and racial terror across the South. 
On this week’s More To The Story, Stevenson talks about the importance of memorializing America’s full history as the Trump administration attempts to erase slavery and lynching from the nation’s museums and why he sees today’s narrative struggle for racial justice as a generational battle.

Producer: Josh Sanburn | Editor: Kara McGuirk-Allison | Theme music: Fernando Arruda and Jim Briggs | Copy editor: Nikki Frick | Digital producer: Artis Curiskis | Intern: Joni Binder | Deputy executive producer: Taki Telonidis | Executive producer: Brett Myers | Executive editor: James West | Host: Al Letson

Read: Trump’s War on History (Mother Jones)
Listen: Mississippi Goddam: The Ballad of Billey Joe (Reveal)
Read: Just Mercy: A Story of Justice and Redemption (One World)
Learn more: Equal Justice Initiative
Learn more: The Legacy Sites

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Decades before Covid-19, the AIDS epidemic tore through communities in the US and around the world. It has killed some 40 million people and continues to take lives today. But early on, research and public policy focused on AIDS as a gay men’s disease, overlooking other vulnerable groups—including communities of color and women. 

This month marks 45 years since the Centers for Disease Control and Prevention published its first report about a mysterious illness that would eventually be called AIDS. So we’re bringing back Blindspot: The Plague in the Shadows, from reporters Kai Wright and Lizzy Ratner, which chronicles the first years of the HIV epidemic in New York City. 

One of the most influential activists for women with AIDS was Katrina Haslip, a prisoner at a maximum-security prison in upstate New York. In the 1980s, Haslip and other incarcerated women started a support group to educate each other about HIV and AIDS.

Haslip took her activism beyond prison walls after her release in 1990, even meeting with CDC leaders. One of the main goals was to change the definition of AIDS, which at the time excluded many symptoms that appeared in HIV-positive women. This meant that women with AIDS often did not qualify for government benefits such as Medicaid and disability insurance. 

The podcast series Blindspot: The Plague in the Shadows is a co-production of The History Channel and WNYC Studios. 

This is an update of an episode that originally aired in February 2024.

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More To The Story: Heather Cox Richardson is one of today’s unlikeliest social media stars. The Boston College historian has been teaching and writing about 19th-century America, Reconstruction, and the Civil War for decades. But it was only in 2019 that her work took off when she began writing her daily newsletter, Letters from an American, a no-nonsense analysis of the news through the lens of US history. The newsletter became one of the most popular on Substack. And today, Richardson has millions of loyal fans who rely on her to make sense of American politics and provide a little sanity and democratic reassurance even as she herself is concerned about the direction of the country today. On this week’s More To The Story, Richardson talks about the decades-long failure to hold corrupt American leaders accountable, the still-resonant death of Reconstruction, and what she sees as the tragic hypocrisy of Thomas Jefferson.
Producer: Josh Sanburn | Editor: Kara McGuirk-Allison | Theme music: Fernando Arruda and Jim Briggs | Copy editor: Daniel King | Digital producer: Artis Curiskis | Intern: Joni Binder | Deputy executive producer: Taki Telonidis | Executive producer: Brett Myers | Executive editor: James West | Host: Al Letson
Read: Trump’s War on History (Mother Jones)
Listen: As the Trump Administration Erases History, These Writers Are Keeping It Alive (Reveal)
Read: Letters from an American (Substack)
Read: Democracy Awakening: Notes on the State of America (Penguin Books)

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Every week, a group of men in their late 60s meets at the Corner Cafe in Elizabethtown, North Carolina. One important reason for these meetups is to discuss what’s going on in their community. 

Local news has virtually dried up in their rural county, as well as neighboring counties, and some residents say they’re being left in the dark and don’t feel equipped to make informed decisions.

“I’m not gonna vote if I can’t get the information,” says Penny Abernathy.

Like in much of the country, roughly two-thirds of North Carolina’s counties are considered news deserts. And the lack of local journalism isn’t just making it harder for people to stay informed; it’s exacerbating a crisis of trust in the news media. 

This week on Reveal, we partner with the podcast Scene on Radio and its hosts John Biewen and Chenjerai Kumanyika to understand how American journalism got here and what can be done to repair the cracked foundation of the Fourth Estate. 

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More To The Story: It’s impossible to overstate rapper Tupac Shakur’s influence on music and culture in the 1990s. One of the era’s bestselling musical artists, Tupac helped define West Coast hip-hop through vulnerable, introspective lyrics and Black power politics. By his own admission, sports writer Jeff Pearlman is not the rapper’s likeliest biographer. But as he waited for what he called “the big, fat biography” of Tupac, his impatience and long-standing fascination with the rapper got the best of him. So he set out to write it himself. On this week’s episode, Pearlman talks about his book Only God Can Judge Me: The Many Lives of Tupac Shakur; discusses how Tupac’s Black Panther mother, Afeni Shakur, shaped her son; and examines the nuance and mystery surrounding Tupac’s life and death almost 30 years later.

Producer: Josh Sanburn | Editor: Kara McGuirk-Allison | Theme music: Fernando Arruda and Jim Briggs | Copy editor: Nikki Frick | Digital producer: Artis Curiskis | Intern: Joni Binder | Deputy executive producer: Taki Telonidis | Executive producer: Brett Myers | Executive editor: James West | Host: Al Letson
Read: The 24 Best Books We Read in 2025 (Mother Jones)
Listen: Baltimore Mayor to Trump: Don’t Send Your Troops (More To The Story)
Read: Only God Can Judge Me: The Many Lives of Tupac Shakur (Mariner Books)
Note: If you buy a book using our Bookshop link, a small share of the proceeds supports our journalism.

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